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Inside of him all along, or a simple technique easily learned – either way Jack steps up and never looks back.
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In the end, the movie settles for Jack being shown one single, semi-meditative pose and it’s all he needs to be the warrior Zhoo has been looking for.
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Naturally he has a skill that will enable him to defeat the bad guy, but the script can’t decide if it’s inside him all along or is something that he’ll need to learn. Jack’s lack of self-confidence is such a staple of teen heroes and heroines these days that it’s a wonder any of them get out of bed in the first place. It’s a movie that steals from other, better movies too, and in doing so, only serves to highlight just how derivative and unoriginal it all is. With its bizarre set up, fortune cookie philosophising, bland time travel theatrics, agonising moments of teen humour, bullying subplot, cultural indifference to Chinese history, off-putting tonal shifts (sometimes in the same scene), and forgettable characters, the movie struggles hard to work on any level… and then struggles some more. How galling must it be for Chinese audiences to see their heritage, their culture, and their fierce warrior history ignored in favour of making the hero a – let’s say it again – whiny teenager.īad as this approach is, The Warriors Gate has far more things wrong with it than there are good. A pale imitation of the far more entertaining The Forbidden Kingdom (2008), Hoene’s follow-up to the low-concept, low return Cockneys vs Zombies (2012) sees him take a script by Luc Besson and Robert Mark Kamen (who really should have known better) and turn it into a bland, functional, and entirely unremarkable teen fantasy movie that feels like it was made in the Nineties and has only recently secured a big screen release. And yet The Warriors Gate is just as guilty of cultural whitewashing as its more expensively mounted compatriot.
![enter the warriors gate rating enter the warriors gate rating](https://image.tmdb.org/t/p/w780/rpsuxOvGgVBKmQELkPPNigjW9qO.jpg)
Here, Matthias Hoene’s tiresome fantasy swaps Matt Damon’s Irish mercenary for Uriah Shelton’s whiny teenager as a Chinese dynasty comes under threat from a surly warlord who’s massively into face painting. Zhang Yimou’s bloated melodrama The Great Wall (2016) came in for heaps of criticism for having an Occidental hero coming to China’s rescue when faced with hordes of rampaging dragons. If nothing else, The Warriors Gate proves that with great publicity comes greater accusations of racism. It’s only when a butterfly appears at their cell window that Zhoo is certain that his plan (which he’s making up as he goes along) will actually work. Once at the Imperial Palace, their attempt to rescue the Princess is stalled, and they find themselves imprisoned. With the occasional aid of a wizard (Ng), and Jack himself, Zhoo sets off for the Imperial Palace.Īlong the way they encounter danger in the form of three tree nymphs with a taste for human flesh, a number of Arun’s men, and having to cross a large lake despite Zhoo being unable to swim. Zhoo’s mission is to rescue her and kill the warlord. Arun plans to wed Su Lin, and once they’re married, kill her and assume the role of Emperor. Soon, Jack learns that the Princess is the target of a murderous warlord called Arun the Cruel (Bautista). Jack follows, and finds himself in the company of the bodyguard, whose name is Zhoo. But it’s also not long before mercenaries from the Princess’s world come for her, and despite Jack’s best efforts (which aren’t that great anyway), she’s taken back to her world.
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The Princess is used to getting her own way, and it’s not long before she has Jack take her to the local mall so that she can learn how to blend in. The Princess is left in Jack’s care – but not before her bodyguard disappears back to their world via the box. Even though he’s clearly not the fierce warrior the stranger is looking for, Jack is still given a task: to protect the Princess Su Lin (Ni) from harm. That first night, Jack wakes to find a sword at his throat, and an ancient Chinese warrior (Chao) asking if he’s the Black Knight. Jack takes it home and keeps it in his room. Jack does have a job, at least, even if it doesn’t pay an awful lot, but his boss likes him, enough to give Jack a gift: a large wooden, ornamental box. His life has its fair share of problems: his mother, Annie (Guillory), is a realtor who hasn’t sold a property in months (which means money is fast becoming an issue), and at school he’s being bullied by an older teen called Travis (Daulby). Away from his computer, however, he’s not quite so powerful or dominating. Jack Bronson (Shelton) is a teenager whose online gaming avatar, the Black Knight, is a complete badass, winning fantasy encounter after fantasy encounter.
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Cast: Uriah Shelton, Mark Chao, Ni Ni, Dave Bautista, Sienna Guillory, Francis Chun-Yu Ng, Zha Ka, Dakota Daulby, Luke Mac Davis
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